Gallery Opening

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Adam Wallacavage's Evil Eye

Those that listen to me babble know that I’m enthralled by the photoworks of Adam Wallacavage. The man does some of the best wide angle portraits I’ve ever seen and I’m obsessed with his use of saturated colors, particularly in his band photos.

What I didn’t know until a year or so ago was that Adam also makes giant octopus-looking chandeliers. We’re not talking cheesy glass and crystal lights here. These are ornate, hand-casted fixtures that look like they were dredged out of the Atlantic.

For those dying to see his work, Adam is part of a two-man show along with Ray Caesar at Jonathan Levine Gallery. I got a chance to photograph the crazed genius during the opening party and needless to say, I was a nervous wreck. There’s only so many ways you can pose an artist to make them look somewhat interesting at an art opening and I’m running low on ideas. Not to mention, it’s not exactly easy to photograph a photo legend.

Luckily, Adam had one of his sconces mounted onto a mirror that bent the light just enough to give people a distorted look. After spotting the mirror earlier in the evening, I snapped a few photos of unsuspecting onlookers to gauge the angle and the light. I eventually gained the nerve to ask him to pose for the shot, and three clicks later he told me I got the shot.

Only one problem. I got someone else in the photo to. Using my lame Photoshop skills and a few hours of work, I actually matched up the wallpaper from a few other shots and cloned it over the guy. Sure, it’s not an exact match, but the photo works much better. Hopefully the wallpaper people don’t mind.

  

Word of advice: never agree to shoot an art opening the day after getting tattooed on your calf. It’s going to hurt and you are going to look like an idiot. Literally 24 hours after going under Sunny Buick’s gun, I went to cover the latest show at Jonathan LeVine’s Gallery for Juxtapoz, and I’m just glad that everyone was all smiles, because it took me half an hour to hobble across the room.

Jonathan LeVine hosted Tim Biskup and Titi Freak. Both artists are great on their own, but its cool to see contrasting styles under one roof. Often, gallery owners try ganging similar artists together, but in this case, Biskup and Titi’s work provided an escape from each other. That makes no sense, but roll with it.

Biskup’s work, in particular, was so different from the prints and toys I used to buy from him a few years back. It was great to see his stature rise in such a small amount of time. I also had a blast photographing him against the giant dead dragon in the middle of the room. Titi Freak spun some great yo-yo tricks earlier in the evening for video and was kind enough to oblige me with a series of shots of him in action. We set it up so that he would throw yo-yo out at me without hitting the lens and even did a dry run to make sure he wouldn’t hit it. The shot came out great, and the lens is still okay.

Joshua Liner’s new gallery opened up last week and the place was packed with people and great work. I had a blast photographing dozens of artists that attended the VIP previews, and probably fired off more than 400 photos over the course of the three hour event.

Photographing people at galleries can be a giant pain in the ass. Most of the lighting is focused on the paintings, so you have to shoot with flash to avoid losing the detail in peoples’ faces. Luckily most galleries have all white walls and ceilings, so you can bounce the flash off of anything. I usually leave the white balance on auto and just adjust all the photos en masse in Lightroom after the fact.

Luckily, Liner had a ton of lighting (and air conditioning) overhead, allowing me to drop the ISO to 400. This was one of the easier gallery events to shoot and there was a ton of subjects to capture on film.

Photolog and story on Juxtapoz.com
Outtakes on Flickr

Fun with Depth of Field

Sure, shooting parties is fun, but how many times can you take the same photo of people laughing and posing with beer? I decided to switch things up a little at a group opening at Jonathan Levine this past Friday. Here’s a shot of Carlo McCormick’s son Tristan with all focus on the kid. I was trying to recreate something similar to the photo of Andy Warhol and his mother. 

For more photos from this show, visit Juxtapoz.com

Here’s a slideshow of photos from the Tara McPherson and Lori Earley’s joint show at Jonathan Levine. Check out Juxtapoz.com for a full write-up of the opening.

Bill Berstein “About Face”

One of my favorite photographers, Bill Bernstein, is having his work featured at The Christian Herald Building in New York City. The series, “About Face: Portraits from the Bowery Mission,” documents the transients who call the mission home. Each portrait has been reproduced as a massive 43×62″ exhibition print.

Just BeKaws...

This is an older photo I took at a pretty fancy schmancy art opening in Chelsea. The only reason I went was because Kaws had an early production pieces (I believe it was an artist proof) of his now classic Dissected Companion figure on display. The foot-tall vinyl figure took center stage, surrounded by thousand dollar design objects, and was a great example of how low brow art had begun to penetrate the snobby fine art world. I shot this with an old Canon S2IS that served me well for a couple of months in 2006. I love how everything to the left of the figure is blurred, yet he right side is crisp. Complete luck.

Blek Le Rat

Check out more photos at Juxtapoz.com

Somewhere in the title is a joke waiting to be made. But truthfully, graffiti artists have been part of the fine art scene for decades while still slinging paint on city walls in their free time. Last night, I was faced with a conundrum that I’ve never even thought about. How do you shoot an art opening when the artist of the evening can’t be photographed for fear that it might blow his or her cover?
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