Gallery Opening

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Adam Wallacavage's Evil Eye

Those that listen to me babble know that I’m enthralled by the photoworks of Adam Wallacavage. The man does some of the best wide angle portraits I’ve ever seen and I’m obsessed with his use of saturated colors, particularly in his band photos.

What I didn’t know until a year or so ago was that Adam also makes giant octopus-looking chandeliers. We’re not talking cheesy glass and crystal lights here. These are ornate, hand-casted fixtures that look like they were dredged out of the Atlantic.

For those dying to see his work, Adam is part of a two-man show along with Ray Caesar at Jonathan Levine Gallery. I got a chance to photograph the crazed genius during the opening party and needless to say, I was a nervous wreck. There’s only so many ways you can pose an artist to make them look somewhat interesting at an art opening and I’m running low on ideas. Not to mention, it’s not exactly easy to photograph a photo legend.

Luckily, Adam had one of his sconces mounted onto a mirror that bent the light just enough to give people a distorted look. After spotting the mirror earlier in the evening, I snapped a few photos of unsuspecting onlookers to gauge the angle and the light. I eventually gained the nerve to ask him to pose for the shot, and three clicks later he told me I got the shot.

Only one problem. I got someone else in the photo to. Using my lame Photoshop skills and a few hours of work, I actually matched up the wallpaper from a few other shots and cloned it over the guy. Sure, it’s not an exact match, but the photo works much better. Hopefully the wallpaper people don’t mind.

  

Word of advice: never agree to shoot an art opening the day after getting tattooed on your calf. It’s going to hurt and you are going to look like an idiot. Literally 24 hours after going under Sunny Buick’s gun, I went to cover the latest show at Jonathan LeVine’s Gallery for Juxtapoz, and I’m just glad that everyone was all smiles, because it took me half an hour to hobble across the room.

Jonathan LeVine hosted Tim Biskup and Titi Freak. Both artists are great on their own, but its cool to see contrasting styles under one roof. Often, gallery owners try ganging similar artists together, but in this case, Biskup and Titi’s work provided an escape from each other. That makes no sense, but roll with it.

Biskup’s work, in particular, was so different from the prints and toys I used to buy from him a few years back. It was great to see his stature rise in such a small amount of time. I also had a blast photographing him against the giant dead dragon in the middle of the room. Titi Freak spun some great yo-yo tricks earlier in the evening for video and was kind enough to oblige me with a series of shots of him in action. We set it up so that he would throw yo-yo out at me without hitting the lens and even did a dry run to make sure he wouldn’t hit it. The shot came out great, and the lens is still okay.

Here’s a slideshow of photos from the Tara McPherson and Lori Earley’s joint show at Jonathan Levine. Check out Juxtapoz.com for a full write-up of the opening.

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